Callot Soeurs (Callot sisters) was a prominent French fashion design house which opened in 1895 in Paris. The fashion house was operated by the four Callot sisters: Regina, Marie, Marthe and Joséphine. The eldest sister, Marie, was trained in dressmaking and they were all taught by their mother, a lacemaker. The sisters began by working with antique laces and ribbons to enhance blouses and lingerie. They were among the first designers to use gold and silver lamé to make dresses.
Three of the Callott sisters.
Right, 1907
Right: Two evening gowns circa 1912.
Left, Callot Soeurs Negligée - detail - 1898-1902 - by Callot Soeurs (French, active 1895-1937) From the Met Museum
They designed day wear, lingerie, exotic gowns with an Oriental theme, and evening dresses made from antique fabrics and lace. Their gossamer silk lingerie creations were embellished with bands of exquisite lace and bouquets of silk flowers. Callot Soeurs were among the first designers to use silver and gold lame during the 1910s and 1920s for evening wear, thus their vintage designs were popular with actresses and high society patrons Source
The piecing to refashion antique laces into a garment requires the skill and sensitivity of "couture hands," such as those that sewed the renowned lace-embellished Belle Epoque dresses from Callot Soeurs.
-quoted from The Met website, where most of these images were sourced.
Marie served as the primary designer for the house until 1927 when her son took over the business. However, he could not survive in the highly competitive market and, in 1937, the House of Callot Soeurs closed and was absorbed into the House of Calvet (Marie-Louise Calvet) under the Callot label.
EDIT: Adding this beautiful Link about these gowns found in pristine condition!
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The house of Boué Soeurs was established by sisters Madame Sylvie Montegut and Baronne Jeanne d'Etreillis, who worked together under their maiden name Boué. Their establishment opened in Paris in 1899, with a New York house opening in 1915.
Their designs were extremely feminine, incorporating fine hand-made lace and delicate embellishments such as embroidery and the ribbon flowers seen on the FIDM Museum example (See link for photos). Filet Boué, a floral patterned lace worked on a mesh ground developed by the Boué Soeurs own lacemakers, became a signature of the house. The sisters were also noted for use of gold and silver textiles, which they had to purchase from theatrical supply companies. FIDM linkHere are some beautiful examples of delicate ribbon rose trim.
Sylvie and Jeanne Boué took an interest in design at a very early age. In a 1922 article in Arts & Decoration magazine, Jeanne wrote:
"From our earliest childhood Madame Montegut and myself have craved the beautiful: our desire first took shape in the collecting of dainty ribbons, soft silks, all luxurious materials, flowers, laces – everything that expressed beauty in form and color. We began by dressing our dolls in the prevailing mode and later found an outlet for our love of the beautiful in creating our own attire."
Left: Les Modes (Paris) January 1926 Robe de Style par Boue Soeurs
Right: Beautiful Robe de Style
Left: Paris Fashion - 1926 - Dress 'Aurore' by Boue Soeurs
Bottom Left: Les Modes (Paris) May 1928 "bouquetiere" robe du soir par Boue Soeurs
Bottom Center: Embroidered lace dress by Boue Soeurs, French, winter 1925-26.
Bottom Right: Les Modes (Paris) November 1927 "Serenade" Robe du Soir par Boue Soeurs
Left, Portrait of Baronne Jeanne d'Etreillis and her
children, published in Les Modes in 1913
